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From here & there

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Mandya &the Canadian link

Canadian-born Lesli C Coleman, regarded as one of the 'makers of modern Mandya', worked in Mandya district of princely Mysore province from 1908 for more than 40 years. Coleman is said to have worked tirelessly, helping farmers get better yields from their crops through pest control and better farming techniques.

Coleman is known to have designed several innovative agricultural implements many of which are found to have been used by farmers even today.

But that's not all. Lesli Coleman has mainly been remembered by the people of Mandya for his initiative and efforts in setting up the sugar factory (with a 600-tonne cane crushing capacity) which was started in Mandya in 1933. A major milestone for the region.

In Chikmagalur district

He also worked in Chikmagalur district, where a research centre named Coffee Experimental Station (present-day Central Coffee Research Institute) was founded under his guidance, in 1925.

Coleman, who was basically an agricultural scientist, carried out extensive research in the field of agricultural science.

His major contributions have been research and teaching of entomology of agricultural pests and plant pathology.

For some Malnad magic

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Korse is a tiny hamlet in Uttara Kannada district, while Yadakuria is an island-village in Chamarajanagar district. Even as Korse has seen positive action by way of a solar energy project, Yadakuria is waiting for a bridge that will make life better for its residents.

This is a tale of two villages, miles apart from each other. While one is a remote village in Uttara Kannada district, the other is in Chamarajanagar district. Yadakuria is an islet surrounded by the waters of the Cauvery and the Kabini.

Life is immensely difficult for its residents. A bridge will solve much of their problems, but that doesn't seem to appear on the horizon anytime soon. Meanwhile, at Korse, another village that you will find difficult to spot on the map, there has been positive change. Solar energy has changed the life of villagers here.

Going the solar way


Korse is a beautiful Malnad village nestled in the Bedti river valley. The village is largely populated with tribals such as the Marathis. The main occupations of these tribals are paddy cultivation, dairy farming and collection of non-timber forest produce. The tribe depends on firewood for cooking, bathing and processing of agricultural produce. Forest timber is thus an important source of fuel for them. The community uses kerosene lamps to light up their homes at night.

This was the story of the village till not so long ago. Today, the story has changed, though. The tribals who were known to frequent the forest for collection of timber now spend fewer hours to gather firewood. They utilise the free hours to earn their livelihood by other means. The lack of electricity is not much of a bother either.


It is solar energy that has brought about this change. The Marathi tribals have been encouraged to use alternate energy and reduce dependence on the forest for their firewood needs. The burden on the nearby forest has reduced by 50 per cent.

A pilot project taken up by the Western Ghats Task Force in association with the Department of Forests and the Medhini Education and Rural Development Organisation, to highlight the concept of green energy, has met with huge success in Korse, which is part of Bisalakoppa Gram Panchayat.

The project, started five months ago, is the first of its kind in the whole region, because it is an integrated project implemented with active participation of tribals. This project has coved all 32 Marathi tribal families in the hamlet. Under the project, domestic solar light, firewood-efficient chulha (stove) and solar light to school children for reading have been provided to all 32 families. Three community solar street lights have also been installed.

According to a survey, worldwide firewood consumption for energy amounts to nearly 12X1012 kilowatt hours. That amounts to almost 50 per cent of total wood used in the world per year. Over 95 per cent of firewood is used in developing countries. Even today, nearly 90 per cent of the country's rural families depend on firewood for their various needs including cooking, bathing and processing of agriculture produce.

Indiscriminate firewood harvest contributes to deforestation, soil erosion and other factors related to eco-climatic disasters. Firewood shortage is often called the 'second energy crisis'. It primarily affects the poor in rural areas.

According to a survey conducted by Prof Keshav Korse of Medhini, before the implementation of the project, each tribal family used 60 kg wood per day out of which 20 kg was used for cooking and 40 kg for bathing.

By introducing fuel-efficient stoves, he says, it is possible to reduce usage to nearly 30 kg of firewood out of which 10 kg is used for cooking and 20 kg for bathing. It is possible to save nearly 116.8 tonnes of firewood every year. According to Keshav Korse, the first phase of the project has been implemented; in the second phase, the tribals themselves will be taught to install biogas units and oven/stove for heating water, which can save many tonnes of firewood.

Western Ghats Task Force Chairman Anant Hegde Ashisar points out that a separate eco-friendly fuel project should be implemented in the Malnad region. Using alternative fuel sources could reduce the burden on forests. Today, firewood is still a major source of domestic energy in rural areas. The task force has planned to provide solar systems for 10,000 families with financial assistance from the government.

Alternative energy projects can successfully be implemented with the involvement of village forest committees and the active participation of local people, especially tribals, he explains.

Sandhya Hegde AlmaneA bridge is all they need
Yadakuria is a small village in Chamarajanagar's Kollegal taluk. The village is under the Sattegala gram panchayat limits. The village, just two kw away from Sattegala, has turned into an island, surrounded as it is by the water of the Cauvery and the Kabini. The island has over 100 houses, with a population of nearly 900 people.

In terms of amenities too, the village is an island; the village has not seen a bus, car, or any other mode of transport.

Villagers have to cross the river by way of a small makeshift coracle (theppa). There is no bridge that connects the village to other parts. Though some residents here own bikes, they park them on the banks of the river. The village has only one government school, from Standard I to V. For further studies, students have to travel to Sathanur or Kollegal by the coracle. Sometimes, because of the absence of a boatman, school students have to double up as boatmen. Deterred by this, many parents have stopped their children's education, especially of girls, midway. Even finding a marriageable partner for youngsters here is a problem because no one is willing to marry those living on this island-village, owing to the problems involved.

No medical facilities

The village doesn't even have medical care. Even during medical emergencies, the theppa is the only mode of transport. "We literally lead our lives on the theppa. We have to rely on it for everything. There are times when we experience floods too. In 1991, when there was a flood situation, food was supplied to us by way of helicopters. There were promises of a bridge, which never materialised," explains resident Umesh.

"In 2005, because of heavy rain, a part of the village was inundated. The then district incharge minister, H S Mahadev Prasad, and Kollegal taluk's legislator Balaraju had commissioned a boat. Owing to irregular supply of diesel, even that boat is not of much use," he explains.

Though the village has a verdant green cover and is surrounded by a vast blue expanse, the residents are in no position to enjoy nature's beauty. The rigours of daily life on this island are just too many, for them to think of anything else. When it rains, their problems worsen. Meanwhile, they wait for that elusive bridge.

Miscellany

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Fresh from Gundlupet's farms

Farmers in Gundlupet taluk are known to eke out a living by selling vegetables along Kerala's border. Vegetables raised by these growers attract a chunk of customers from the neighbouring state for their produce.

Once you enter the Government Hospital Road on NH 212 that connects Gundlupet to Kerala, a group of mobile vendors, standing on either side of the footpath, hawk vegetables. Clutching plastic sachets containing vegetables, the youth make a dash towards any passing vehicle.

The minimum price of any sachet is Rs 10. Vendors here can speak all three languages, Kannada, Tamil and Malayalam, and use this knowledge to woo commuters. Along the highway, one can spot makeshift stalls with heaps of vegetables abutting agricultural fields at Koothanur, Mallaiahanapura and Bheemanabeedu.

Gopalapura, a village nearby, with the lofty Gopalaswamy hills in the backdrop, is known for garlic cultivation.

Also, tomato, chilli and cabbage are grown in the lands behind the makeshift shops; farmers double up as traders here. Vegetables not grown here including beans, carrot, onion, capsicum are bought at wholesale rates, either from the Gundlupet or Mysore markets.

The stretch of the highway from Nanjangud to Gundlupet is dotted with tender coconut vendors. Farmers with small land holdings find tender coconuts more profitable. Coconut vendors on either side of the road from Hirikaati gate up to Bandipur draw tourists and passing vehicles. Maada Nayaka of Tondavadi village has been vending vegetables for long.

He sells at least 60 coconuts per day. Sales increase during summer vacations thanks to inter-State tourists flocking Bandipur and Ootacamund.

Sreekantswamy B

Remembering the 'Rajarshi'

Mysore's landmark statue of Maharaja Nalwadi Krishnaraja Wodeyar and the heritage clock tower (built to commemorate 25 years of his reign) in Mysore, are testimony to the remarkably good governance of Nalwadi Krishnaraja Wodeyar, the philosopher king ('Rajarshi', the title given by Mahatma Gandhi) acclaimed as the architect of modern Mysore.

Krishnaraja Wodeyar IV was affectionately called 'praja raja' (people's king) for his people-friendly administration. Many factories, educational institutions and dams were built by the Maharaja who had the services of great Dewans like Sir M Visvesvaraya and Sir Mirza Ismail.

Educational institutions like the University of Mysore, the Indian Institute of Science, University Visvesvaraya College of Engineering, Mysore Maharani College, Yuvaraja College and Maharaja College are known to have been founded during the rule of Nalwadi Krishnaraja Wodeyar.

Many industrial units like Mysore Paper Mills, Mysore Lamps, Hindustan Aircraft (now HAL), K R Mills, Mysore Sugar Mills and Government Sandalwood Oil Factory also came up during the Wodeyar's rule.

In one of his letters addressed to Nalwadi Krishnaraja Wodeyar, Gandhi wrote, "Dear friend, it has been a matter of deep joy for me to learn, wherever I have gone, nothing but praise of your benevolence and purity."

S V Upendra Charya

Sublime art at Hosaholalu

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The Lakshminarayana temple at Hosaholalu is a treat to the eye. A fine example of Hoysala architecture, Hosaholalu's temple is a must-visit, writes M S Dwarakinath

The State is known for its rich architectural and cultural heritage, all thanks to royal patronage. The Lakshminarayana temple at Hosaholalu, a non-descript village near K R Pet in Mandya district, is one such temple belonging to the Hoysala period.

This temple dates back to 1250 and was built by king Vira Someshwara of the Hoysala dynasty.

The elements present, the style of architecture and the conventional enshrinement of deities in this temple present a fine example of Hoysala temple architecture. Good maintenance by the Archaeological Survey of India (ASI) authorities has ensured that the temple has retained its beauty and elegance. According to Gerard Foekema, a renowned architectural historian, this temple is considered a 'fairy temple' among Hoysala temples. "Only the famous temple of Somanathpur can match its fairy tale atmosphere," he adds.

After a guided tour of this temple, one can conclude that this can be called an open air museum of sorts. The temple is one of trikuta type with three shrines. The central shrine with heavily carved super structure, three-tiered sukanasi (a short tower or the 'nose') and three large two-storied wall shrines on the three sides make it one of the most decorated ones found in Hoysala architecture. The lateral shrines are devoid of super structure. While the presiding deity, Lakshminarayana, is enshrined in the garbha griha (central shrine), the lateral shrines situated on the southern and northern sides, house the images of Venugopala and Lakshminarasimha respectively.

The lateral shrines don't have an antarala (antichamber), but the central shrine has one such chamber followed by a navaranga hall and beyond this hall is a mukha mantapa. This temple has six decorative pattikas (friezes) on the exterior walls and it slightly differs from the earlier style of five pattikas. But a later addition at the entrance of the temple not only denies an elegant conventional stepped entrance to the temple via the elevated platform but also belies the beauty of the temple.

This temple, with its marvellous art and sculpture executed both in the interiors and exteriors, is a feast to the eyes of a visitor. The ceiling of the navaranga hall with its four ornately sculpted pillars is divided into nine bays. Each bay has a deep domical ceiling and is decorated with different patterns of art work. A kalingamardhana panel in the central bay may miss the attention of the visitor because of its miniature size. Finely sculpted idols of goddess Mahishasuramardhini and lord Ganesha are housed in large niches with ornately carved super structure, on the corners abutting the central shrine.

The exteriors match the interiors of this temple. The lower portion of the walls above the platform on which the temple is built is decorated with six pattikas. The pattikas depict rows of mythological creatures and episodes from the Mahabharata, Ramayana and Bhagavatha. The finely carved images, which are 120 in number, include 24 different aspects of Vishnu embellished on the walls. Images of deities such as Bhairava, Parvati, Indra on his Airavata, Brahma, Durga and Krishna dancing on a serpent also share this space. Conspicuously absent is the Hoysala's royal insignia generally found in the temples of the Hoysala period.

Fact file

Hosaholalu lies at a distance of about two km from KR Pet town of Mandya district. KR Pet can be reached from Mysore and Mandya by road.

This cave holds many secrets

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Chandravalli, a cave temple near Chitradurga, is also a pre-historic site. Amrith Jogi visits the cave temple and is spellbound by the many secrets it holds.

We were sitting 80 feet below ground level inside the Chandravalli cave temple when our guide asked us, "do you know what absolute darkness means?"

Without waiting for our reply, he switched off his six-battery torch. It turned pitch dark and the silence that enveloped us added to the excitement. My eight-year-old held me tight, scared of the darkness.

The cave temple is around three km from Chitradurga district. It is a pre-historic site which is semilunar in shape. This temple is located in the midst of three hills, Chitradurga, Cholagudda and Kirubanakallu. A lake adds to the charm of this picturesque cave temple. The cave is located between two giant monolithic rocks. One of these rocks is also a rock climber's favourite. The cave is also known as the Ankali Mutt. Legend has it that saints from places such as Ankalagi and Belgaum came here to meditate here.

Its religious importance apart, the cave is also a treasure house of stories. Having stepped into the cave, at no point will you feel that you are below ground level. Except for a few entrances you can pass almost every entrance without ducking.

Surprisingly, though it is difficult to see a ray of light, breeze welcomes you. There are corridors to ensure ventilation in this cave. One simply can't help but wonder at the amazing engineering that has gone behind this creation. This cave has been created under huge boulders about 120 feet high and has withstood the test of time. If you enter the cave without a guide, the chances of your losing your way are high. The cave has a different exit route.

The cave consists of a place of worship with a Shiva linga, visitors' room, rooms for sadhus, shelves that can hold belongings, carvings and paintings on the walls. It has a pooja place, bathroom, bedroom and even a library.

The cave also has a water outlet. There are many niches inside the cave that can hold lamps. There is a spot where one relax inside the cave and it has been designed in such a way that the person inside can see the visitor but not vice versa.The cave has many secret doors and resembles a maze. But a guide can help you take the right path.

On reaching the rahasya sthala, the last point which is a secret spot, our guide turned off his torch. He explained to us that this place was used as a hiding spot for kings. Secret meetings were known to take place here. The guide warned us about the many bats that abound this place.

Chandravalli is an ancient archaeological site. Historians have found painted pottery and coins from the Shatavahana empire and the pre-historic period. Excavation reports show that human habitation existed here even during the Iron Age.

There is also a rock inscription of King Mayurasharma, the founder of the first Kannada dynasty, the Kadambas, dating back to 450 CE.

A rock inscription can be found in the Bhairaweshwara temple at Chandravalli. Stone carvings indicate both Hindu and Buddhist influences.

The paintings have been done using vegetable colours and they have managed to stand the test of time.

Mythological significance

Chandravalli was earlier known as Chandanavati. Mythology has it that this place was once ruled by Chandrahasa, a king of Kuntala. The name, Chandravalli, is attributed to this king by some scholars.

Another explanation has it that the place was named Chandravalli because it was moon shaped. Experts such as R Narasimhachar, B L Rice and R Shamashastry carried out excavation work here in the year 1909. It gathered momentum after the significant contribution of M H Krishna between 1929-30.

Mortimer Wheeler who was the director general of the Archaeological Survey of India completed the work in 1947.

These findings and some inscriptions found in the surrounding areas have revealed that Chandravalli has been home to human habitation ever since the megalithic age and neolithic age.

It also was the home of kings belonging to Kadamba, Shatahavahana and Hoysala dynasties.

Some of these relics have helped in taking the ancestry of Chandravalli to at least two thousand years.

The place is now under the protection of Archaeological Survey of India (ASI).

Birds of the same feather

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Kodagu, straddled on the Western Ghats, boasts of more than 300 varieties of birds. This pristine area abounds in an assortment of rare flora and fauna as well.

One of the unique selling propositions for coffee grown in these environs is that the berries develop under dappled sunlight filtered through friendly shade trees, to a medley of melodious sounds of numerous feathered bipeds.

It is claimed that these 'happy' berries are imbued with the finest qualities of the salubrious sylvan surroundings. Just as in a popular commercial for a Scotch that says, "as you sip their whiskey you hear hundred pipers playing," the coffee planters in this area market their produce with the hype that the consumers could listen to chirping of birds as they savour the brew which is famously known as: the cup that cheers but not inebriates!

When it comes to these bright coloured feathered bipeds, there are two medical doctors in Kodagu who have evocatively captured the images of local birds in all their splendour, through different art forms.

Besides their medical profession, they are well-known ornithologists as well. The first, Dr S V Narasimhan, has brought out a bilingual (English and Kannada) book titled 'Feathered Jewels of Coorg' in which he has painstakingly colour-sketched 310 birds of this region.
He has meticulously described each species giving their popular English names along with their scientific Latin names. Also included are the names of each species in Kannada as well as in Kodava languages.

However, Narasimhan's efforts go far beyond just documenting bird-life in Kodagu. He is actively involved in bringing about environmental awareness and wildlife conservation in a unique way. Every year, Narasimhan hand-paints thousands of postcards of birds and animals of Kodagu with specific messages composed by him pertaining to our milieu.
He then mails them free of cost to a host of recipients.

His modest request, however, is for postage stamps so that he could distribute his hand-painted postcards to even more beneficiaries to spread his message on conservation and protection of wildlife, so very crucial to our environment. Narasimhan has, as on date, hand-painted 56,590 cards in a span of 28 years! I am sure it's a world record. I am one of the lucky beneficiaries this year.

Aim and shoot

The other doctor, Dr Bishan Monnappa, an orthopaedician, is a keen photographer. He brilliantly captures wildlife in their natural habitat through powerful cameras. His high-definition photographs of birds of various plumages are simply spectacular.

Dr S V Narasimhan and Dr Bishan Monnappa are popularly known as 'Bird-men of Kodagu'. They are extending their healing touch beyond humans to the wellbeing of Mother Nature as well.

Now, who can resist drinking coffee that has bird songs recorded in its brew!

Gokarna beckons

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The antiquity of Gokarna goes back to the time of the great epics Ramayana and Mahabharatha. It is the only one of its kind in the whole country as it contains the atmalinga, whereas there are 12 jyothirlingas across the country.

The beaches with their golden sands are an added attraction for pilgrims.

It is difficult to ascertain when the first temple was built. However it is said the Kadamba monarch Mayurasharma (325-345 AD) arranged for daily worship at the temple. There are no records showing when and how the temple came to be what it is now.

Visvesvaraya of Halasunadu-Kundapura built the Chandrasala pavilion and Nandi pavilion when Queen Chennammaji and her son Somasekharanayaka were ruling Keladi. In 1665, the Maratha emperor, Shivaji, came here to offer prayers to the deity.

The temple is a vast complex of shrines and much of it belongs to the later Vijayanagar period. On the left of the sanctum is a temple of Chintamani Ganapati and on the right, the temple of Durga. Other temples here include Tamra Gauri (Parvati) temple, Mahaganapati temple, Bhadra Kali temple and Kotithirtha, southeast of Mahabaleshwar temple.

Travel tips

Avoid the monsoons. From October to April, there is a rush of foreign tourists.
By air: The nearest airport is Panjim, which is about 185 km. Mangalore airport is 250 km.

By rail: The nearest railhead is Gokarna Road Station on the Konkan Railway, eight km from the town. However, as all trains do not stop here, make sure before you take the train. It is better to go to Kumta, 32 km from Gokarna.

By road: Gokarna is well connected by road to other towns and cities, both by State government buses as well as private buses.

Send your comments to: spectrum@deccanherald.co.in or Spectrum c/o Deccan Herald, #75 M G Road, Bangalore-560001

Songs of the sea

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Yoginder Sikand takes off on a memorable coastal holiday that starts at Dharmasthala and ends at Padubidri, and is enchanted by the sights and sounds of Dakshina Kannada's seaside towns.

I desperately needed a break from the maddening din of Bangalore, and so I hopped onto the first bus I spotted that morning heading out of Bangalore's inter-city bus station, which was abuzz with activity even at that early hour.

The bus I got into was going all the way to a town along the Arabian Sea coast, I learnt as I snuggled into my seat. I breathed a heavy sigh of relief as the bus trundled out of the clamour of Bangalore—not knowing where I was going but glad to be off somewhere! Anywhere out of Bangalore was welcome!

The bus sped through miles of what were once lush fields but now gobbled up by the ever-expanding urban nightmare that Bangalore has been transformed into. Then, after we passed Hassan, we entered into stunningly beautiful countryside. It was almost just as I remember much of rural south India to have been when I was a child, forty years ago.

Gently rolling hills were draped in curtains of green—endless acres of coffee bushes shaded with slender trees planted in neat lines. Beyond Sakleshpur, the bus wove its way through a narrow valley surrounded by towering, densely-forested mountains till it stopped at Dharmasthala, one of the most popular pilgrimage centres in Karnataka, where I decided to get off.

I did a quick round of the town—which is essentially a collection of a few temples and several enormous buildings for accommodating visiting pilgrims. The main temple was closed for the afternoon, and so I headed to the temple museum, which, I discovered, must surely be one of the finest privately-maintained museums in the entire country.

It boasted a huge collection of ancient idols, curios, coins, currency notes, weapons, costumes worn by dancers to propitiate ancestral spirits (called bhutas), and handwritten manuscripts, all remarkably well-preserved. The nearby car museum, too, mustn't be missed—an impressive collection of vintage cars and horse-drawn carts.

It was late evening, and although there was no dearth of accommodation in Dharmasthala (in the several huge buildings built by the temple authorities), I decided to head on. And so, I got into a bus heading to Udupi, a four-hour journey away.

Pilgrim town

There wasn't much to see in Udupi, I discovered, though one could spend several hours in and around the delightful thirteenth century Krishna temple that the town is famous for, watching the worshippers performing their rituals, feeding the temple elephant or strolling through the bustling bazaar that specialises in pilgrim memorabilia—idols, copper and brass vessels, 'holy' powders, conch shells, lamps and so on.

You could also visit the numerous mutts or monasteries in the vicinity of the temple, set in exquisite centuries' old buildings with massive, carved wooden doors, their exterior walls richly decorated with paintings of a range of Hindu deities. You might, if you are lucky, as I was, even be able to hear children or women rehearsing soul-stirring classical Carnatic music, sitting in the dark, cool comfort of an inner chamber in one of the mutts. And of course, if you've come all the way to Udupi, you won't want to go back without a meal at a traditional Udupi restaurant, and a quick visit to the quaint coin museum run by the local unit of a bank.

Nor should you miss an evening stroll down Malpe beach, located six kilometres out of town, and a fifteen-minute boat ride from there to St. Mary's Island to see its curious rock formations, gaze at the sea gulls flitting about, the crabs scurrying into their holes, and the sun dipping into the Arabian Sea. You will, of course, have to ignore the mountains of trash—plastic bags, bottles, and wrappers—that have piled up on the island, and the rubbish-filled canopies supposedly built for the comfort of the hundreds of tourists who flock to the island every day.

Spotless beach

Some thirty kilometers to the south of Udupi is the little town of Padubidri. Hardly any tourists visit Padubidri, I presume, and so I found myself delightfully alone as I ambled through the paddy fields outside the town, dotted with pretty cottages and fruit trees, till I reached a spotlessly clean beach.

On both sides, an enormous arc of sand stretched as far as the eye could see. Mercifully, so I learnt, the authorities have forbidden the construction of any big buildings in the area, and so there aren't more than a couple of resorts and shops, and almost the only buildings you can see are neat little fishermen's huts that hug the coast. The roar of the waves, the whistle of the wind in the coconut trees, the screech of a pack of boisterous sea-gulls and the occasional cry of a team of fishermen pushing their hand-crafted boats into the sea were almost the only sounds I could hear that afternoon.

I walked along the beach for several hours, hardly seeing anyone, stopping to gaze in wonder at the enormous piles of little sea animals that the waves brought in, picking up shells and rescuing starfish that had got stuck in the sand. How I pined I could live here, in a little fishermen's hut along the coast, never having to return to the 'big city'!

It had been a wonderful holiday—completely unplanned and quite off the conventional tourist trail, and perhaps for that reason, particularly memorable.

Miscellany

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On a crab trail

Karnataka is home to 93 varieties of crabs. (Photo by the author)It was the monsoon and I was travelling with a friend in the vicinity of Siddhara grama, a hamlet in Malnad. The sky was overcast and there were signs of a heavy downpour. We had barely moved along the way when my friend asked me to look a little ahead. A gigantic crab with its pincer raised upward cast a threatening look at me.

The giant crab gave a menacing look, gnashing its sharp teeth. I pressed my feet on one of its pincers. Soon after, I managed to hold two of its pincers and beamed a smile of victory. It was then that I saw nearly 16 crabs, its kith and kin, lined up nearby. There were both female and male crabs in the group. These creatures were moving around looking for food and a place to stay since their nests were filled with rain water. It is when they come out of their nests that they are caught and end up as delicacies on our plates. Also, when crabs move towards agricultural fields, they land up in bamboo traps laid to catch them.

The crabs were trying to crawl their way up a hill in Siddhara grama. The village is at a distance of 13 km from Karwar. The crabs had cleverly avoided the path frequented by human beings and had chosen a desolate path.

But what was the reason for their journey? August-September is the breeding time for crabs. Female crabs carry eggs or little crabs on their abdomen and male crabs accompany the female crabs. A paucity of food arises during these months as their staple food, which includes algae, fish and rotten meat, get washed away by the overflowing rivers in the rainy season. So they move in search of food towards land and end up in traps laid by humans to catch them.

Crabs have a thick shell covering their body called the carapace and also have sharp pincers. These creatures are mostly found in the Karavali and Malnad regions. Certain types of crabs live in fresh water while some live on land and in places that have hot climatic conditions.

Male crabs have both big and wide pincers and they use the wide pincer to move around while the other is used for self-defence and to attract female crabs. Female crabs have wide and round abdomens. Crabs with these features belong to the libinia emarginata and mictyris platycheles family. In Karnataka, apart from these two types, portunidae also exist in large numbers. Crabs are a common sight on the banks of River Bhadra in Shimoga, Varada and Sharavathi in Sagar and Shalmala in Sirsi.In Malnad, they are known as ajjedi and karedi (types of crab). These creatures also use their pincers as tools of communication. Crabs which can digest algae can survive on any kind of food.

There are 6,793 crab varieties and around 93 varieties can be found in Karnataka alone.
Deciding not to disturb their journey, we took the other side of the bridge. But a group of young men had already located the crabs and were preparing to trap them using jute ropes. Many crabs were already piled up in the baskets of these youngsters while several others lay helplessly trapped.


(Translated by Bhumika Rajan)

Avathi's many legends

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B V Prakash visits Avathi and discovers that the non-descript village was once ruled by Ranabhaire Gowda, a forerunner of many chieftains including the legendary Kempegowda.

Avathi was ruled by feudatory chiefs of the Vijayanagar era. Ranabhaire Gowda (below) was one of them. (Bottom) 'Hittina Bande', a huge boulder. (Photos by the author)As one drives along Bellary road from Bangalore, a few km beyond the town of Devanahalli, one passes by a nondescript village called Avathi. Not many take notice of the village as the highway leads to the flyover at this point. Even a cursory glance at the settlement may reveal a drab and dusty township with the backdrop of a hillock full of large boulders.

But if you are an explorer who delves deeper into the history of little known villages, there is something for you to know at this place.

Though I had often passed by this town, it was only during a recent journey that I could make some forays. The first thing that impressed me and evoked further interest was the bust of an earlier ruler right on the busy road.

Ranabhaire Gowda's territory

The description below said it was Ranabhaire Gowda, who ruled here during the middle of the 14th century. My enquiries led to a well-informed local, Narayana Setty, who explained the history of the place and even offered to take me around the hill.

Avathi was a prominent territory during the Vijayanagar times ruled by the feudatory chiefs known as Nadaprabhus. The first of them, Ranabhaire Gowda, was the one who founded the principality at Avathi which had a legendary past.

Ranabhaire Gowda was the eldest of seven brothers who lived in a place called Elamanji Puttur near present-day Kancheevaram in Tamil Nadu. This region was then known as Morasu Nadu and the people here were called Morasu Vokkaligas.

Road to Avathi

Gowda had three sons and a daughter named Doddamma, who was extraordinarily beautiful. Attracted by her beauty, the local chieftain in the area wanted to marry her. When his advances became vexing to the ruler, Ranabhaire Gowda decided to leave the place and escape his wrath. One night, he quietly left the place with his family in bullock carts lock, stock and barrel. Moving northward all through the night, the family reached Palar river by dawn.

They could not cross the turbulent river when Gowda's daughter, Doddamma, a pious girl prayed for help and threw her gold earrings into the river. Her prayers were answered and the river receded miraculously enabling them to cross over. Having escaped from the chieftain, they settled peacefully in the boulder-strewn forest which was to evolve later as the town of Avathi.

One day while he was digging out his belongings, Ranabhaire Gowda stumbled upon a cauldron filled with gold. He also found a statue of Channakeshava. Later as ordained in his dream, he built the temple of Channakeshava.

With the windfall he gained, he built his own little empire and a fort on the hillock and lived prosperously. He also begot a son, Jayagowda, who later became the Yelahanka Nadaprabhu. It is said that when as a child he was in a cradle tied to a fig tree (atthi), a serpent (haavu) had spread its hood on him to protect him from the sun. Later, this place was referred to as 'Havu-Atthi' , which was shortened as Avathi.

Ranabhaire Gowda was the forerunner of many feudatory clans including the Kempegowda lineage, rulers of which formed their own principalities. Though no remnants of the fort remain, signs of the bygone era can still be seen in the form of broken pieces of iron tools and pot sherds strewn around the hill.

Another legacy of their presence is the tiny image of a woman carved on a rock on the way to the top of the hill. This represents Veera Kempamma, a brave woman and sister of Ranabhaire Gowda.

At the summit stands a tall boulder. To the western part, some boulders with interesting shapes can be seen. 'Hittina bande' is a huge oval shaped rock sitting precariously on a very small base. Further down, the path leads to a spring and a shrine of Kanikalamma. Legend has it that whenever the monsoon fails, there is promise of rain if spinsters worship at the shrine.

Though Avathi has an interesting legend and potential as a tourist place it has not received due attention.

Centres of serenity

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Shravanabelagola near Hassan is one of Karnataka's most popular tourist attractions, but there are several other such massive Jain monoliths and numerous ancient Jain temples elsewhere in Karnataka, especially along the Arabian Sea coast, writes Yoginder Sikand

The lake temple at Varanga. (Below left) Another Jain temple at Varanga.  (Photos by the author)Although this is not widely known, Jainism has had a very long history in Karnataka, spanning almost two thousand years. Some historians date Karnataka's first contact with Jainism to the second century AD. The gigantic Gomateswara statue at Shravanabelagola, near Hassan, is, of course, one of Karnataka's most popular tourist attractions, but there are several other such massive Jain monoliths and numerous ancient Jain temples (called basadis) elsewhere in Karnataka, especially along the Arabian Sea coast. Surprisingly, these are still quite off the conventional tourist trail.

Almost all the literally dozens of centuries'-old Jain shrines in coastal Karnataka are linked to the Digambara Jain sect. Perhaps the best way to see the major shrines is to base yourself, as I did, in Kundapura town, in Udupi district, and then travel around, most of the major shrines being well-connected by bus with Kundapura.

Karkala is a short bus drive from Kundapura. It boasts of an enormous, 42-ft-high statue of Bahubali, the son of the first of the 24 Jain spiritual masters or tirthankaras. Built in the mid-15th century and carved from a single rock, it is located atop a rocky promontory, which commands a majestic view of the densely-forested Western Ghats and endless forests of coconut trees. Bahubali stands perfectly calm and unshakeable in his resolve under the open sky. He appears wholly impervious to the noisy tumult of the world around him, so much so that he is supremely unconcerned about the creepers that grow over his feet and the cobras that have intertwined themselves around him. His sublime face indicates that he has gone far beyond the snares of the sensual world.

Architectural marvel

The nearby flat-roofed Chaturmukhi (four-faced) temple, so called because it has four entrances that lead into its sanctum sanctorum, is an architectural marvel. It dates to the mid-16th century, when Karkala was ruled by a Jain ruler, Immadi Bhairava. Its walls and pillars are profusely decorated with intricate sculptures. Inside, it is silent, dark and cool.

An ancient brass lamp casts pale flickers of light on the life-sized black granite statues of three Jain tirthankaras, which seem indistinguishable from each other, and several smaller images of other Jain spiritual masters.

There are more than a dozen more centuries'-old Jain basadis in and around Karkala, most of them well-preserved. Not to be missed, in particular, are the 15th- century Neminatha basadi in Hiriyangadi, with its intricately carved 54-ft-high pillar, and the Kere basadi, which is located in the middle of a lake.

All of them are constructed in the distinctive coastal Karnataka style. The enormous statues of the tirthankaras that they contain display local influences and motifs that clearly mark them from Jain images from northern India.

Not far from Karkala, and surrounded by forested hills, is the sleepy town of Moodabidri. For centuries, Moodabidri was an important centre for Jain scholars, earning for itself the name of 'Jain Kashi', because it was considered the Jain equivalent of the Hindu town in north India believed to be a leading centre for Hindu learning. The town hosts 20 Jain basadis, all dating to medieval times.

The most celebrated of the basadis of Moodabidri is the gigantic Tribhuvan Tilak Chudamani basadi, or the 'Thousand Pillar Temple'. It is an exquisite work of art, with, so it is said, a thousand ornately-carved pillars, each distinct from the others. Like the other old Jain temples in coastal Karnataka, it is built in a distinctive local Jain style. Its enormous slanted wooden roof is decorated with numerous stunningly beautiful wooden sculptures. The temple houses several dozen statues of various Jain tirthankaras, made of stone as well as different precious and semi-precious metals. You might, if you have the time, make a quick round of the other basadis in Moodabidri, most of which are located in a separate quarter, where many of the town's Jain families still live. Each of these is an impressive work of art. Some of them, however, seem to be closed—perhaps because there possibly aren't as many Jains left in Moodabidri as there must have been when, centuries ago, the town was ruled by the Chowtas, a Jain dynasty. The Chowtas' palace, which dates back to the 17th century, is now in a state of considerable ruin, though you might wish to drop by just to see the remnants of what must once have been an enormous structure.

Wandering in Varanga

Located a short drive away from Moodabidri is Varanga, set amidst placid countryside at the foot of densely-wooded hills. Centuries ago, Varanga must have been a thriving Jain settlement, although today it is a small, unassuming hamlet. Meandering down a path that cuts through paddy fields, I rested for a while in the cool comfort of the courtyard of the quiet Jain monastery attached to the Chandranatha basadi, and chatted with a friendly priest about Jain history and traditions. The monastery has halls for visiting monks (who are meant to be almost constantly on the move, and barefoot at that), and beautifully-carved pillared corridors that lead to a little temple.

Close by is a delightful 13th century Jain temple, guarded by two stone elephants. It contains intricately decorated pillars and houses dozens of exquisite Jain statues. At the far end of Varanga's Jain settlement is the Kere basadi, situated in the middle of a large lake bursting with lotuses in bloom, which you must definitely visit—but only if you can manage to find a boatman to ferry you across.

My travels on the coastal Karnataka Jain circuit had been hurried and unplanned, but, really, the best way to do it is to give yourself at least a week to see all the many major shrines, and the numerous other, smaller ones that I missed out. And, most of all, it ought to be done more in the way a Jain pilgrim might do it—slowly and meditatively, so that you can drink in the beckoning silence of the temples, forgetting, at least for a while, the frenzy of the world beyond, and turning, at last, to trying to know your own self. And that's when you might come to really appreciate the hidden message of the Jain tirthankaras and the enormous, centuries'-old shrines dedicated to them.

From here & there

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Abode of the goddess

The ancient temple of Durgaparameshwari at Kateel, with later renovations, built on a rock in the island formed by River Nandini, has a huge boulder at the entrance, which represents Rakteswari (a spirit), the form in which the goddess made her appearance to fight the demons.

A connecting bridge brings the visitor to the temple dedicated to the goddess, who took the form of a giant bee to destroy the demon Arunasura.

The sanctum houses a linga, the original deity. Behind it is the gorgeously decorated metal icon of the goddess, in her soumya swaroopa (benign form). The small sanctum has a sloping tiled roof with a brass kalasha on top. The daily abhisheka is done with the water of tender coconut. As the goddess enticed the demon to his death with song and dance, a special seva of Yakshagana is offered here.

* How to reach: By road from Mangalore via Bajpe (25 km) and via Suratkal and Kinnigoli (33 km). Private buses ply from Mangalore.

* Location: West of the main road in Kateel leading to Mangalore
* Timings: 6 am to 10 pm
* Festivals: The important festivals observed here are the jathre in April with a rathotsava or car festival, Navaratri and the fascinating Kartika festival of lights. Friday is an important day in the temple.

* Where to stay: The temple committee provides spartan accommodation in their guesthouses on a nominal payment. Alternately, one can stay in Mangalore.

Chola temple gets facelift

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A temple in Sindhuvalli village, dating back to the time of the Cholas, has been renovated courtesy its residents. After 20 years of labour, the renovated temple will be consecrated in a grand ceremony today.

The renovated temple at Sindhuvalli. (Right) The 'garuda kambha'.   (Photos by the author)The Shankreshwara Temple complex, spread across an acre of land on the outskirts of the village, five km away from Nanjanagud town, was an abandoned place for a long time. The main deity, udbhava linga and nandi remained intact in the sanctum sanctorum, while the rest of the temple complex was in a poor state. The crumbling pillars of the prangana or the main hall painted a sorry picture. The temple complex also includes shrines dedicated to Deviramma and Chandi, according to Prabhu, a local and also a member of the committee constituted to take up the task of renovating the temple along with 15 other temples in the village.

Prabhu told Spectrum that the standing idol of Deviramma in black stone belonging to the Chola period is a rare one. Though a similar idol can be found at the Nanjundeshwara Swamy temple at nearby Nanjanagud, the idol here is unique because of its pleasing look. Besotted by the idol, the management at the Nanjanagud temple had also asked for this idol, but the villagers refused to part with it.

Palani Swamy, a resident of Chamarajanagar and an ace sculptor, who was roped in for the job here, said it was a challenging task as the temple has a lot of heritage attached.

Keeping in view its architecture, it was refurbished and new idols were included to enhance its look. Pointing at the sculptures of shilabaalikeyaru (dancers) that now adorn the Deviramma temple, Swamy explains that it wasn't that easy to replicate such sculptures often found in Belur and Halebid.

The facade of the main temple also has sculptures of Lakshmi, Ganesha and Saraswati. The gopuras (towers) of the temples here have been spruced up with intricate carvings. Another addition to the complex is the navagraha temple. The well within the precincts of the temple is the only source of water. It was only recently that a motor was fixed to pump the water.

Some among the structures found in the main temple have been repaired and installed in different parts of the temple, only to conserve the antique pieces. An inscription in a corner of the temple, though close to ruins, is another piece of evidence to show that the temple is an ancient one.

Swamy points out that the stones used for the temple were hard and the carvings were distinct with a not-so-neat finishing, typical of other such Chola structures. In the case of the Hoysalas, it was exactly the opposite, he explains.

As proof, he points to a stone resembling a veeragallu (hero stone) behind the Chandi temple.

Another interesting feature of the temple complex is the 35-feet-high garuda kambha (flag staff) in the front of the temple. Prabhu points out that it was five to six feet taller, but gradually caved in owing to water seepage from the Kabini channel nearby.

All the royals' men

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Artist Venkatesh is a fund of stories associated with the Wodeyars. His house is full of paintings, sculptures and more importantly, the miniatures he has created. Venkatesh's ancestors were employed in different positions in the palace; some served as surveyors while others were bodyguards of the kings. Lakshmi Sharath is fascinated by his insights into the life and times of the kings' men.

A miniature idol that Venkatesh has created. Photos by the authorIt is a busy day and the crowds are milling towards the palace in the royal city of Mysore. I take a detour and enter a quiet part of the City that seems to be wrapped in an afternoon siesta. A light breeze awakens the spirit as I wander around looking for people with a royal connect. A chance conversation with a friend takes me to the doorstep of an artist, Venkatesh, whose memories lead us through a fascinating journey as he shares snippets and stories from the lives of his ancestors.

The leafy environs greet me the moment I step into the lane where Venkatesh lives. Tall trees create a canopy as the detour leads me to a dead-end. I can see chakotas dangling from the branches of the tree, ripe and waiting to be plucked. Venkatesh smiles and ushers us in, while his wife is waiting for us with a cup of tea.

I look around the house in the dim afternoon light. The walls are filled with paintings and sculptures that take you back in time, to a different era. A Raja Ravi Varma painting hangs on the wall, and as you look inside, you see a Mysore painting of Krishna dancing on the snake Kalinga. A painting of the deity, Lakshmi Narasimha, graces the walls, while goddess Saraswati sits gracefully on the other side. Amidst the assortment of gods and goddesses are several weapons that date back to the Vijayanagar empire.

Venkatesh explains that his ancestors who came from those regions were employed in different positions in the royal palace - some of them served as surveyors, while others were personal body guards of the kings.

He tells us that they were referred to as 'Jirle Meese Sepoys' and they looked ferocious with thick curled moustaches that spread till their ears. As personal body guards of Maharaja Krishnaraja Wodeyar III, they could walk around barefoot anywhere in the palace and were given the task of protecting the queen. "They wore their turbans or petas round," explains Venkatesh, adding that they were of a 'betelnut colour' and were tied using a fabric that was like an eight-metre saree.

The turban fixation

Venkatesh's fascination with such turbans started at a very young age and he learnt the art of tying them from his father. "People from any community or nobility, in fact anyone who had to go to the aramane (palace), had to wear a peta (turban) and each of them had his own style. The width of the zari in the peta was based on the grade of the nobility and the person employed in the palace," adds Venkatesh. Although his family did not look at this as a profession, most people who visited the palace stopped by at their house to get their turbans styled. "We used to tie them for people during weddings and functions and I styled the bombes (dolls) for Dasara, especially the pattada bombes, he says, referring to wooden dolls.

Venkatesh's pride, however, are the miniatures that he has created, including the throne of the Wodeyars, the ambaari (howdah) that is carried during the procession and a model of the present Wodeyar himself. He uses other materials like golden foil and even wires to hold these miniatures together, once they are wrapped in golden paper after being carved in clay and cardboard.

Past and present

The man is a storehouse of stories. He can talk about every style of turban - be it the ones that the kings of the Vijayanagar era wore to the ones that Marathas or the Mysore Maharajas wore. Venkatesh drapes a turban around his head and mentions that it is slightly tilted, because it is believed to be dressed on the lines of Krishna, who is followed by his community, gollas. He then suddenly breaks into hymns and talks about how the kings protected their subjects and also how even their thrones symbolised the same. He narrates an incident when his great grandfather's grandfather, who was a surveyor at the palace, requested the king to change a line in his prayer. "My father told me this story. The king used to pray, 'let my enemies be vanquished', but my ancestor asked him to make it, 'let my enemies become friends.'"

We sip more tea and listen to more stories and the conversation veers back to the present. Venkatesh who learnt the Mysore style of painting at a young age from the erstwhile curator of the palace ekes out his livelihood through painting and by teaching the art to several students. He takes us through his technique as he tells us that he has painted on every surface, from wood, glass, fabric, aluminium to even the walls.

The colours are prepared naturally at home and he uses natural and vegetable dyes to create them. "The panchabhootha colours are the main ones. Later, I create more colours such as ivory black which is charred cotton mixed with gum," he adds. The style is also very distinct with delicate lines and brushstrokes that differentiate it from the parent Vijayanagar style of painting. He then elaborates on the gesso work, which refers to the gold relief work on the embossed painting.

We see a variety of paintings that he has created, from miniatures to paintings decorating the wall. He recalls with fondness the painting of 'Govardhana giri' that he gave to the scion of the royal family during the Dashamana utsav. His house is a veritable art gallery, but Venkatesh is lost, living in his own world of colours and stones.

Marching to the beat of time

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Marching to the beat of time

The exploits of Mysore State troops form an interesting episode in the history of pre-independent Karnataka. The princely state of Mysore had its own army consisting of the infantry, cavalry and a transport corps.

The Mysore army assisted the British in their wars, both inside and outside India, supplemented the State police during emergencies, guarded taluk and district treasuries, accompanied dignitaries during their itineraries and performed ceremonial duties.

A majority of men in the army belonged to the Maratha and Muslim communities. The Marathas were in a majority in the cavalry while the Muslims formed a majority in the infantry and transport wing. These two communities apart, there were also Brahmins, Rajputs and Christians in the crew.

During 1872-73, the pay of a cavalryman was Rs 26 a month and that of a first class sepoy in the infantry was Rs 7.

There was also a military band where trumpeters, drummers, fifers and buglers were given regular instructions by European musicians. In April 1892, the cavalry of Mysore State Troops was re-organised into two corps. Mysore lancers was for the Imperial service and was stationed in Bangalore. Another was the Mysore Horse which was stationed at Mysore with outposts in the frontier taluks of Jagalur and Pavagada. With regard to pay, discipline and equipment, Mysore Lancers was similar to Her Majesty's native cavalry.

There was one riding school at Mysore while the other was at Bangalore. The government stud farm at Kunigal provided the horses for the State cavalry. In August 1894, a school was started to teach English to those in the Mysore Lancers troop. The Mysore State Force had three infantry units. Its first battalion was stationed in Bangalore and Kolar, the second in Shimoga, Hassan, Kadur and Chitradurga and the third battalion in Mysore and Tumkur.


The Animal Transport Corps was formed to assist the Mysore Lancers. Apart from ferrying troops and supplies, the Transport Corps services helped in harvesting, collecting and carting of grass at the Hesaraghatta grass farm. However, in 1930 it was disbanded and in its place the Mechanical Transport Corps was formed. It had six lorries and 14 men.

Achievements & laurels

During the First World War, the Mysore Lancers under the command of B Chamaraja Urs, chief of regiment, left for service overseas. They were employed in guarding important lines of communication, constructing strong field works for the defence of Suez Canal and also in actual combat. Their performance satisfied their British superiors.

Similarly, the Mysore Transport Corps did much useful work in Mesopotamia as well. But unfortunately, their commandant, Furzulla Khan, died in July 1917. They were honoured with awards like Military Cross, Indian Order of Merit and the Gandabherunda Order for their distinguished services and gallantry.

They also took part in polo, horse racing and rifle shooting competitions held across the country and bagged cups and prize money. Since they won the Ootacamund Gymkhana Polo tournament for consecutive times, the cup remained with them as a prized possession.

Similarly, in the Raja of Bobbili Open Handicap Polo Cup, they emerged winners three consecutive times and the cup became a property of the regiment. They also participated in the Mysore Dasara military sports, Bangalore and Ootacamund horse shows and won cups, medals and cash prizes.

In 1925, they won high scores in the North Indian Rifle Association matches. In the South Indian Rifle Association meet held at Bangalore, they won the Kitchner Cup, the Indian Officers Pistol Cup and prize money of Rs 625.

In Febuary 1926, five officers, 72 men and 64 horses of the Mysore Lancers took part in the Madras Naval Military and Air Force tournament.

The officers won five cups and three lances. Men from other ranks also won two cups, one lance and three medals besides the first, second prize cups and four medals in tent pegging competitions.

Since the Mysore lancers was formed to serve British interests, senior officers from the British Indian Army used to inspect the State troops for their combat efficiency and discipline at regular intervals.

Merger move

In November 1940, the first infantry battalion received training in British India and left on service overseas in March 1941. In the ensuing campaign, they were taken as prisoners of war by the Japanese.

In 1945, nearly 517 of these prisoners returned to the State and efforts were made to trace the remaining personnel. The State government also sanctioned the re-instatement of the Indian National Army personnel (formed by Subash Chandra Bose from the Indian prisoners of war under Japanese control) in the ranks which they would have got had they continued in state service.

This suggests that some personnel of the Mysore Army had probably joined the INA. In September 1948, personnel of the first battalion, Mysore Infantry and the Mysore Lancers participated in the police action against Hyderabad. On first April 1950, the entire administrative control of the Mysore State Troops except the Maharaja's personal infantry and body guards, a portion of the General Transport Company and the Mysore Infantry Band was merged with the Indian Army.

On January 26, 1950, units of the Mysore state troops had taken part in the Republic Day celebration held at Mysore and Bangalore and taken an oath of allegiance to the new Indian union.

The Maharaja's personal infantry and body guards were integrated with Mysore Armed Reserve Police and brought under the Police Act. Their administration was controlled by the IGP.

In addition to normal duties, the unit members worked as sentries in the palace, Palace treasury, Chamundi temple and Parakal Mutt.

They also participated in various ceremonial functions.

As an institution, the military provided employment for adventure seeking young men of Mysore, helped them cultivate discipline, develop sportsmanship and obtain combat training.

It also offered them opportunities for interaction with men in the British Indian Army and an experience in fighting overseas by putting them on the battleground during the two World Wars.


Catching them young

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Catching them young

The 'catching them young' mantra can be put to good use; to create eco-awareness among children and to ensure that environment-friendly practices find greater acceptance in the long run. After all, the next generation will need to be much more aware and proactive about saving the planet.

Leo Saldanha, coordinator at the not-for-profit organisation Environment Support Group (ESG), believes that through healthy interaction, parents and teachers can leverage a child's natural curiosity, observational skills and questioning process to create greater awareness. In the past, ESG has conducted several workshops for both students and teachers on a number of environmental issues. Says Saldanha, "The main challenge of environmental education is that it is now being 'taught' as a subject. While the emphasis on environmental aspects is welcome, it is still a 'third class' subject, compared to the learning of subjects like Physics, Math, etc."

Outside the classroom

Saldanha suggests substituting classroom learning with having actual interactions outdoors. "We need to take children outside the classroom, beyond the limits of their school, into different natural habitats. This will help them realise how interdependent we all are. It is crucial to assist them to respond to various environmental concerns they observe around them."

He concludes on an urgent note, "The state of our planet demands us to re-evaluate our relationship with her on an urgent basis, and schools and families are the best place to start this journey." For Mallesh Tigali, proprietor of Purna Organics, sustainable practices like organic farming have always been a passion. Tigali teaches school children the value of growing an organic garden on their own rooftop or terrace. He reveals he believes in reaching out to students and instructing them not by rote but by actually experimenting. Says Tigali, "I believe the best way to make children learn something is not by asking them to repeat something ten times, but by showing them the 'why' of it.

If they see, experience or understand why a certain thing is helpful, they will develop a passion for learning more about it automatically. And then teaching them the theory actually becomes much easier since now they themselves want to know more."

Tigali works with schools where he helps students grow their own organic vegetables which they can later take home. Adds Tigali, "Along with conveying the benefits of organic farming, we also help instil a love for gardening by discussing various practical aspects. Students immediately respond to practical tips like soaking seeds of some vegetables for a day before sowing them, to help the plant grow faster.

If parents and teachers talk to the students without trying to teach too much too quickly, students are bound to appreciate the various aspects of organic farming and environment-friendly practices." Educating children about the myriad current environmental issues is the world's best bet against the ecological dangers of the future.
CEE initiative

Paryavaran Mitra, an initiative of the government-supported Centre for Environment Education (CEE), works with school students to help create a future generation of environment champions. The programme aims to create 20 million young green leaders by focussing on eco awareness and action. As part of this initiative, CEE launched the 'Science Express', a state-of-the-art environment-based exhibition on wheels, in 2007. The exhibition moves across India and is primarily targeted at students.

Reliving a centuries-old tradition

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Reliving a centuries-old tradition

Lore of B'LORE The annual groundnut fair in Bangalore's Basavanagudi has a history of nearly four centuries.The 'kadalekaayi parishe' continues to draw crowds even today, writes Shankaranarayan.

The annual groundnut fair, popularly known as kadalekaayi parishe, is held on the last Monday of the kaarthika maasa at Basavanagudi, Bangalore. The groundnut crop grown in the surrounding areas of the City, is brought to this place by vendors. Farmers even arrive from far off places like Tamil Nadu with groundnuts. The venue of the fair is a tiny hillock on which a temple is built for the bull. This temple houses a giant statue of a bull, which is offered special worship on this day.

The area in which this temple is located is known as Bull Temple area or Basavanagudi. This temple is one of the historical landmarks of the city. During the fair, groundnuts are first offered to the sacred bull in the temple as naivedya.

Also, truck loads of groundnuts are spread out all over the venue in anticipation of a brisk sale. People wade through heaps of groundnuts on their way to the temple atop the hillock.

The groundnut fair has a history of more than 400 years. Memories of how the fair has been celebrated over the past decades are still green in the minds of people who have been living in the City from a long time.

The story of a wild bull is associated with this fair.

Lore has it that centuries ago, there used to be a bumper crop of groundnuts, every year for farmers in this area. But one day, a wild bull arrived from nowhere and started grazing the fields and destroying the crop.

The worried farmers tried their best to capture the bull. But the bull eluded them. One day, at the harvest time, a few villagers spotted the wild bull in the darkness of the night, grazing in the fields. When they slowly and stealthily advanced towards the bull, the bull vanished. The incident shook the villagers.

They believed that the wild bull was the sacred Nandi, the vehicle of Lord Maheswara. The villagers then took a solemn oath that they would offer a portion of the groundnut crop every year to Nandiswara, the sacred bull without fail. The tradition continues even now.

Boiled beans

The name of the city, actually, was 'Bendakaaluru', which means a place of baked beans. It is said that once when Kempegowda, the ruler of Magadi province, was on a tour of his province, he began to feel hungry and tried to find something to eat. However, he could not find a place offering him food. He, then, entered a small hut in which an old woman lived. This woman is said to have offered him a plate of baked beans. Kempegowda felt immensely happy and named the place as Bendakaaluru, after this incident. Subsequently, the city acquired the name of Bangalore.

This story, of course, remains in the realm of legend and has no historical evidence attached to it.On the day of the fair, Bangaloreans make a beeline to the venue to enjoy the taste of fresh groundnuts. Even people from far off moffusil areas come in large numbers to take part in the fair. Boiled and fried groundnuts are sold in nook and corner of the venue. People relish the nuts along with jaggery.

Giant wheels and merry go round games are installed to entertain youngsters and children. Stalls selling toys, fun games, cosmetics and fancy items lure women and children.The fair has not lost its sheen and continues to attract crowds even today. It is a slice of tradition holding its sway over the minds of the residents of a rapidly transforming urban conglomeration, called Bangalore.

Heaps of broken images

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Heaps of broken images

HERITAGE Mookonda Kushalappa visits Moribetta in Kodagu and discovers that the hilltop has numerous megalithic structures. It is thought that these were more of commemorative value, built in remembrance of the dead.

In the north of Kodagu district, on the way from Madikeri towards Hassan is Moribetta, the 'hill of the Maurya'. Local people are, however, not very familiar with that name. They know well the name of a sacred lake and a temple near the same hill, both dedicated to Goddess Honnamma.

As one approaches the place, one can spot two huge granite hills touching the sky. The bigger one is Gavibetta, while the smaller one is Moribetta. Green foliage surrounds the serene place. Coffee and other plantations make up the agrarian areas. The road leads one towards the large lake that lies between the two hills. This lake happens to be the largest one in the district. It is called Honnammana Kere, the lake of Honnamma. On the right side of the road are a couple of temples; the larger one is newly built and painted while the smaller one is in ruins. In fact, the older one is hardly distinguishable from the rocky background.

The ancient temple is built of stone blocks. Amidst these blocks which are overgrown with plants is an open doorway which is not quite discernable. In the darkness within is a stone nandi, the bull that carries Shiva, and a linga. The more modern temple is the temple of the goddess in front of the lake. Both the lake and this temple are named after the local goddess, Honnamma.

The lake temple

Legend has it that Honnamma was the youngest among an influential man's daughters-in-law. When the father-in-law told his daughters-in-law that one of them had to sacrifice her life for the common good, it was only the youngest, Honnamma, who complied. She jumped into the lake and drowned. Ever since, the lake has never gone dry. It is after her death that she was revered as goddess Honnamma, the golden deity.

On the occasion of Gowri habba, a day before Ganesh Chaturthi, the place has throngs of people. As part of the festival, a bagina or an offering is made to the goddess. This is left afloat on the lake.

During this annual temple festival, pilgrims trek up Moribetta until they reach a spot marked by a flag near its summit. The lesser-known name of the village is Doddamalte. Gavibetta has a few caves and a stairway that leads to the summit. Villagers refrain from speaking much about the 'other hill', Moribetta, because of talk about it being an ancient site for human sacrifices.

Shrouded in mystery

Mystery shrouds the Moribetta hill. There are numerous megaliths, although in disarray, on the hilltop. There are 50 short dolmens or portholes on the granite hill. Each of them is an arrangement of four upright flat stones with a capstone and the eastern wall has a circular porthole. These granite slab dolmens stand around four or five feet high and the circular portholes are a little more than a foot in diameter.

While some are intact, others have been broken down. Many of these dolmens have been dismantled and destroyed by treasure hunters, grave diggers, stone cutters or neighbouring farmers. Some of them have taller orthostats (large stones standing upright) beside them. Interspersed between them are cairns or piles of stones.

No human remains were found in the portholes. Broken stone circles can also be found on the granite hilltop.

These structures on Moribetta didn't hold any remains of the dead nor were they habitable. They were like miniature houses, but these abodes were too small to live in. They contained miniature utensils and goods. Some claimed that a pygmy race lived in them. In a 19th-century published article titled 'Rude stone monuments in all countries', Fergusson was mesmerised by these 'miniature toys' of Moribetta but doesn't give an explanation for their size.

However, as no human remains were found in the place, it is thought that these were more of commemorative value, built in remembrance of the dead. To reduce expenses, all these that were built for the dead would have been made on a miniature scale, as they were not used for practical living purposes. Historians like B L Rice, Mackenzie, Rob Cole and K K Subbayya have already explored the hill extensively. Some locals call the structures on Moribetta Kodava Kote, 'fort of the Kodavas'.

Epic connection

These cromlechs were associated with the Pandavas, the demigod heroes of the Mahabharatha. Locals called them 'Pandava Pare' as well, in the past. The same name is used for large stones that were used to lay steps that led to temples and large country houses in Kodagu. Now, however, it's a forgotten place visited only during the annual temple feast of Honnamma on Gowri festival, a day before Ganesh Chaturthi.

Six miles from Somwarpet is another place called Morikallu, also known locally as 'Pandava Bande'. This is a small granite hillock with six dolmens, of which four were well preserved and surrounded by paddy fields. Stone circles surround all these dolmens. The shrine of Male Sartavu, another Kodava temple, has six stones; they are said to have been dedicated to the five Pandava brothers and their wife Draupadi.

In South India, anything ancient or unknown would be quickly attributed to Brahma (Brahmagiri, the 'hill of Brahma' or Brahmadesam, the 'country of Brahma'), the mythical Pandavas (places called 'Pandava Pare' or 'Pandava Bande') or the historical Mauryas (Moribetta 'hill of the Maurya' or Morikallu, 'rock of the Maurya').

According to Rob Cole's book, Kodavas have an ancient belief that the Pandavas were the original owners of the earth who rented out land to agriculturists. On Bisu Changrandi (Vishu), also called Edmyaar 1, the new year of the Kodava calendar, Kodavas start farming their lands without fail. This is because they believed that if they don't, then the Pandavas would come down from their celestial abode to reclaim their lands.

In his 1870-book 'Gazetteer of Coorg', Richter speaks of this picturesque tank, Honnammana kere, which is three miles from Somwarpet, but doesn't mention its name. He talks of a version of the legend associated with the place. Malla Shetty of Yelusavirashime was the father-in-law who vowed to build this tank.

Sacrifice

But after its construction, there was still no water. It was suggested that animals be offered in sacrifice to appease the gods but to no avail. Goddess Ganga appeared in front of the merchant and asked him for a sacrifice. So he approached his daughter-in-law Akkony whose husband was away. Akkony took leave of her child and parents and entered the tank to drown in the rising water.

Her parents and husband got upset upon hearing this. Richter also writes about a stone inscription found in the place. It reads in Kannada, "King Andany has ordered this tank to be built on Tuesday the tenth day of the month of Phalguna in the year Parthiva.

"This was written by Venkadasya Mallia Bomarsia at the time of Basawalinga Deva Raja Vodea".

Lately this stone inscription has been cemented on the ground in front of the new Honnamma temple.

King Andany mentioned here must have been a local ruler while the person mentioned at the end must have been the Lingayat (Basawalinga) Raja Devappa (Deva Raja Wodeyar, 1770-1774) of the Haleri dynasty.

Bustards on the brink

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Bustards on the brink

The Great Indian Bustard, which one could spot easily in Haveri district's Ranebennur forest two decades ago, has now all but disappeared from the State. This has given conservationists and bird lovers much cause for concern. According to ornithologists, their numbers have dipped even in Madhya Pradesh's Karera, Rajasthan's Desert National Park and Maharashtra's Great Indian Bustard Bird Sanctuary. The bird is one of the biggest flying bird species, but owing to poaching and loss of habitat, their numbers have plummeted over the years.

In the pipeline

There is a silver lining, though. The Ranebennur sanctuary is making efforts to conserve the bird. Ground work is underway to earmark 30 acres of land to bring these birds together. There are plans to install fencing to save the birds from predators. "We are planning to construct four watch towers and hire personnel to ensure the birds are saved," said Assistant Conservator of Forests Gopal Singh.

He added that the wire fencing would be installed in such a manner that the birds won't be affected. There are also plans to conserve black bucks which the region is famous for. (Bustards and black bucks usually share the same habitat.) The idea is to ensure that the sanctuary matches up to international standards, he added. According to studies conducted by wildlife conservation groups, there are only 300 Indian bustards left. The Forest Department is in talks with both the State and Central governments to ensure that the species is saved.

Fishy tales at Dharmasthala

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Fishy tales at Dharmasthala

The fish incarnation (matsyaavatara) is the first incarnation of Lord Vishnu. The fish aquarium at Dharmasthala in Belthangady taluk is a fitting tribute to the first incarnation of Vishnu.

Some of the finest specimen of freshwater fish can be found here. The native of Amazon river, piranha, is one of them. Also from the Amazon river is the silver arowana which grows up to four feet. The people of China believe that the wealth of one's home increases as the fish at home grows.

This fish has the special ability of knowing the occurrence of natural calamities in advance. The name ruby or rainbow shark of Thailand may suggest that it's an aggressive species, but they are an excellent community fish. The fins are bright red compared to the black bodies. They grow up to seven inches. Other fish include Japanese koi fish (carp) which grows up to one metre in length and the pale pink Burmese gowrami.

Major drawThe ornamental freshwater flower horn cichlids, a man-made hybrid, first bred by the Malaysians in fresh water is the centre of attraction with its bright colours. According to Feng Shui, this fish is believed to bring luck. It has a colourful body and huge humpy head. This popular fish was created using fishes from the South American cichlid fish family.

The unifying factor of these fish is that most of these fish are either vegetarian or can survive on vegetarian food. For instance, rainbow sharks are not picky herbivorous and omnivorous eaters, but are primarily consumers of algae in the form of tablets, wafers and flakes. Some species of piranhas eat vegetable matter at some stages in their life; they are not strictly carnivorous fish. Other species consume large quantities of seeds.Michael Patrao
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